I finally got enough hooks and eyes onto the dress to model it. Actually, I ran out of hooks and eyes just above waist level, which is why I'm holding the rest of the opening closed. There's a photo of the back here. What remains to be done is attaching the skirt permanently (it is just pinned now) and sleeves, obviously. Actually I must say that I really like this as a sleeveless gown - I'm thinking that some time I might want to make one in a lighter weight wool for summer wear, like this woodcut of a seamstress. Sure, it's a very rare style, but my main pursuit in the SCA is as a seamstress, so it's not too inappropriate.
This does serve to illustrate why I don't like hooks and eyes as a closure mechanism for non-overlapping edges, but in this case I couldn't think of a better way to do it. The gapping is perfectly even, so it's not like I've set them too far apart, it's just that the edges curl out a little. I've already tacked down the ends of the hooks, or else it would be much worse, and I'm thinking I may try to tack down more of the eyes as well. If that doesn't fix it, I may resign myself to basting the opening closed when I wear it.
As you can see, I also started the hat. It's made of basically the same wool fabric as the guards, but with the non-napped side out instead. If you're working from Reconstructing History pattern 505 (German accessories) be careful when you cut the underside piece - it needs to be 70-75 inches long to go all the way around (same measurement as you need of wire) - on my copy of the pattern, at least, the printed piece is only half that long (18x7.5 inches, cut on fold for total length of 36 inches). As for wire, I used 8 gauge solid copper wire from Home Depot (it's in electrical on the cut to order spools; you'll need to get an employee to measure it off for you, just like at the fabric store). It's very sturdy (possibly overkill, but I'm okay with that). Now I just need to obtain feathers. Sure, you see some hats that are just plain, but I really enjoy going all out : )
08 January 2007
30 December 2006
Kampfrau gown assembly
I've sewn all the pleats down onto the linen tape, and then pinned the whole thing onto the bodice to re-check fit. I apparently drafted the bodice a bit too long-waisted, and had to move the skirts about an inch higher than expected. It's just as well, because the bottom edge otherwise would have needed to be shortened. The extra-wide seam allowance is nice too, because it looks like I'll need to tack the backside of the pleats down to it in order to keep the seam allowance pointing down rather than up. I think I need to put in most of the hooks and eyes so I can actually try it on properly before I actually sew the waist seam, since it's hard to tell how high or low the center front will hang when you're just holding the edges together with your hands while you're wearing it.
Obviously, I don't have a dress form, so it's a little hard to set gowns up for display or photography. I almost bought one this week, but they are expensive, and I spent my money on fabric instead. (6 yards silk-faced brocade, navy blue with gold fleur-de-lis!) Once the front closure is ready, I can hopefully get some pictures with me modeling it.
Obviously, I don't have a dress form, so it's a little hard to set gowns up for display or photography. I almost bought one this week, but they are expensive, and I spent my money on fabric instead. (6 yards silk-faced brocade, navy blue with gold fleur-de-lis!) Once the front closure is ready, I can hopefully get some pictures with me modeling it.
27 December 2006
Kampfrau gown - skirt assembled and pleated
Since the last update, I've sewn the side seams and a front opening on the skirt panels, and, as the picture shows, pinned the pleats in place. I've pleated onto a linen tape that is cut and marked to the measurements of the bottom of the bodice. That gives me a bit more stability to pick things up and move them around compared to just pinning the fabric to itself. I can also completely sew down the pleats before attaching to the bodice, while still being assured that it will line up correctly.
I've used a combination of stacked pleats and box pleats, which are structurally and visually similar. The skirt panels are divided equally between the four bodice sections, but the back sections are significantly narrower than the front, so I was able to get 5-to-1 stacked pleats all across the back. (I find that stacked pleats behave a bit better than the roll pleats that Kass mentions in the directions. Both styles have the same take-up.) Because the front sections are wider, I have just a couple of stacked pleats at the sides and then switch over to box pleats. This leads to less fullness in the front, which isn't really a bad thing, but if I'd had enough material, I might have preferred to add width to the front skirt panel so that I could do stacked pleats all the way around. It seems to hang quite nicely, though, so I'm happy with the way it is. Of course, the material has so much body that it quickly falls out of the pleats and into much larger, looser folds.
Next, I'm going to sew the pleats down to the stay tape, and then attach the skirts to the bodice. Then I'll either put in the front closure (hooks and eyes, I think) or finally get started on the sleeves. I still haven't decided whether I want to line the sleeves, though, and I''m not totally sure what fabrics I'll use for the cuffs. (I cut pieces for doing main fabric + contrast fabric, but I'm thinking of maybe doing both sides in the contrast fabric.)
I've used a combination of stacked pleats and box pleats, which are structurally and visually similar. The skirt panels are divided equally between the four bodice sections, but the back sections are significantly narrower than the front, so I was able to get 5-to-1 stacked pleats all across the back. (I find that stacked pleats behave a bit better than the roll pleats that Kass mentions in the directions. Both styles have the same take-up.) Because the front sections are wider, I have just a couple of stacked pleats at the sides and then switch over to box pleats. This leads to less fullness in the front, which isn't really a bad thing, but if I'd had enough material, I might have preferred to add width to the front skirt panel so that I could do stacked pleats all the way around. It seems to hang quite nicely, though, so I'm happy with the way it is. Of course, the material has so much body that it quickly falls out of the pleats and into much larger, looser folds.
Next, I'm going to sew the pleats down to the stay tape, and then attach the skirts to the bodice. Then I'll either put in the front closure (hooks and eyes, I think) or finally get started on the sleeves. I still haven't decided whether I want to line the sleeves, though, and I''m not totally sure what fabrics I'll use for the cuffs. (I cut pieces for doing main fabric + contrast fabric, but I'm thinking of maybe doing both sides in the contrast fabric.)
15 December 2006
Kampfrau gown - skirt update
I've sewn the guards down to the skirt panels; about two evenings worth of work. I did end up moving the top band down by about an inch, so the spacing is a bit better. Other than that, though, the panels look a lot like they did when the guards were just positioned rather than sewn, so no new pictures yet. I probably won't have much of a chance to work on this project until after Christmas.
11 December 2006
Kampfrau gown - skirt panels
These are the two skirt panels laid out with the slashed guards on top. They look kind of skimpy when they're just flat like that, but the pattern tells me that two 60 inch panels is quite reasonable, so I'm just going with it - that's all the fabric I have.
I bought a rotary cutter and mat just to do the little football cutouts on the guards. That was a lot easier than using scissors like I did for the bodice. The corners aren't half as precise as I'd like, and I had to go back and trim most of them with scissors, but really they look pretty good when you're not peering at them from 3 inches away. The only thing I'm thinking about changing is the spacing of the bands; I might move them closer together. I need to get them pinned down where they are now, though, so I can hold it up to see for sure.
I bought a rotary cutter and mat just to do the little football cutouts on the guards. That was a lot easier than using scissors like I did for the bodice. The corners aren't half as precise as I'd like, and I had to go back and trim most of them with scissors, but really they look pretty good when you're not peering at them from 3 inches away. The only thing I'm thinking about changing is the spacing of the bands; I might move them closer together. I need to get them pinned down where they are now, though, so I can hold it up to see for sure.
30 November 2006
Kampfrau gown - bodice assembled but unlined
Progress on the kampfrau gown has been slow, mostly due to lack of time. Since the last update, I've finished the cutouts on the guards for the bodice, and sewn them down. I've also sewn down all of my edges and seam allowances (except armscye and waist, which will be finished later). Kass's instructions have you doing this in the same step as fitting in the lining, using a prick stitch, but given the thickness of my fabric (and hence it's extreme reluctance to hold a nice folded edge), I decided to do two separate steps. The edges are held down with a running stitch going through both layers of wool and interlining, but not coming out all the way to the top of the guards. At the side and back seams, the seam allowances are only tacked down into the interlining, since a crisp edge is not as important. When I put in the lining (actually about halfway done now, but not in this picture) I'll just use a small hem stitch and secure the lining into the already folded down edges, rather than going all the way through.
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